TICKETS TO “herSELF” in NOLA NOV 19
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trixxie carr is a musician, drag queen, playwright and multimedia artist who plays with iconography and myth, whether singing her own live compositions, or performing as one of the first female-born drag queens in the industry. She has made a career out of creating performance pieces tailored to events such as nightclubs, festivals, and museums (SFMOMA/DeYoung) as well as acting in theatre and writing her own plays and music. A rare breed of artist who refuses to conform, and a comic by nature, trixxie has taken her San Francisco style of drag to international festivals such as AND (UK), and LUFF (CH), working alongside drag revolutionaries. Fronting various bands as a lead vocalist in addition to writing music, (trixxie carr/Reverie/SUD) she has traveled nationally as well as internationally, and has two solo albums 'A Souvenir for the Existentialists' and 'Salome, Dance for Me', as well as honoring the music she loves in cabaret tributes. trixxie was awarded “Miss Tiara Sensation 2012” and the “Emerging Artist” at NCTC for 2015, and has received multiple grants (HOME/MCR, SFAC) to create new theatrical works. She can be booked to perform solo singing live or lip-syncing, to MC events, larger production numbers either with backup dancers (drag), or with a live band and live vocals, either performing original songs, cover songs, or a mixture of both. She has created and produced four cabaret tributes: trixxie carr presents: Maneater! / Maniac! / MissIntegration / HERSELF!, and two full length plays: 'Hold Me Closer, Tiny Dionysus' and 'Salome, Dance for Me', in addition to the countless avant garde, politically subversive, and hilariously over the top drag numbers which she is infamous for. Although trixxie's performances are usually geared towards adult audiences, she has also performed for all ages and has an extensive and extremely flexible repertoire. She is always featured in the press heavily around any performance, as she gets attention easily, being unique and bold. Contact for EPK